Carrie Nixon

Maahin with Orange and Violet Light

oil on mylar

36″ x 24″

2024

I paint models from life so that I know and see them. My aim is to integrate the model’s essence, my personal filter, and the expressive tendencies of the medium. In this case, I was very aware of Maahin’s intellect, global experience, and intensity. As far as the medium, painting in oil with large brushes on mylar results in drips, unblended strokes, and translucency.

@carrienixonart

Carrie Nixon

The Fluffernutter, State Sandwich of Massachusetts

Inspired by: Charles “Teenie” Harris, Cotton Candy Booth Henry George Todd, Study of Strawberries

oil on mylar

36″ x 30″

2024

This painting of a Fluffernutter-invented in Massachusetts in 1917-responds to two images from the Fitchburg Art Museum. It connects to Henry George Todd’s “Study of Strawberries” engaging the theme of Vanitas, with the drippy Fluffernutter and the berries as metaphors for the fragility and brevity of life. It also links to Charles “Teenie” Harris’ photo of the eager children anticipating cotton candy; the Fluffernutter and the cotton candy are sugary treats that many of us crave even though they are slightly “sinful.” Hence, this painting is a commentary on sensual desire.

@carrienixonart

Carrie Nixon

Uncertain Future

from life; oil on mylar + decorative papers (and grommets for hanging).

24” x 24”

2023

This young man is a bright and successful local College student who faces the typical challenges of a soon-to-be-graduate. In addition, his future will involve navigating and harmonizing both his South Asian and his American identities. I took advantage of the translucency of the mylar to insert angled sheets of colored paper hinting at possible future collisions.

@carriepainter1518